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Digital Imaging for the Underwater Photographer by Jack and Sue Drafahl

Jack and Sue Drafahl are a widely published couple who specialise in underwater and photographic journalism. They have written hundreds of articles that have been published in such magazines as Skin Diver, Photographic, Sport Diver, Rangefinder and Focus on Imaging.

Digital Imaging for the Underwater Photographer

Digital Imaging for the Underwater Photographer is not another underwater photography text, and does not discuss camera equipment or techniques in any detail. Rather it focuses on the post-dive activities relating to digital imaging - input, editing and output.

There are many books, but the Drafahl's have done a good job in keeping focus on the issues that commonly face underwater photographers - particularly things like correcting colour, colour cast, contrast and saturation, and removing backscatter. Most underwater photographers shoot slides, so there is detailed information on reducing grain, fixing scratches and correcting processing errors.

The above actions are pretty straightforward actions that have direct correlations in the traditional imaging world and do not change the substance of what the photographer saw. However when the substance of an image is changed such that it represents something that was not there, there are ethical concerns if this is not divulged. The Drafahl's talk about photo manipulation and the ethics of this, and don't spend much time on techniques herein.

The book also talks about input considerations (scanning) and also output - in the form of presentations, posters and slide shows. There are also discussions on image compression, archival and the future of underwater photography.

The Drafahl's have based their examples on use of Adobe Photoshop, the leading tool for digital darkroom activities. Whilst many photographers have this software, the cost is high, and a more cost effective alternative is the recently introduced Photoshop Elements software. Rest assured that most of the techniques introduced have equivalents in Photoshop Elements, and also in other programs such as PaintShop Pro.

This is a good book, especially for the novice at digital imaging. It provides a good overview of the key aspects, and how underwater photographers may apply these. In this regard, readers will want to have handy a copy of the manual for their software or another book on digital imaging if they want to drill down to greater levels of detail.

I'd put this book on the highly recommended list.

Des

Jack and Sue Drafahl

Amherst Media

Buffalo, NY, 2002

See Digital Imaging for the Underwater Photographer at Amazon.com (aff).